“It always begins with silence, a blank page. Then follows a spark. Four minds combined, and the silence was slowly filled. Two further minds expanded the space into colour. What were they building, and how? They didn’t know. And yet by doing they made.”
Its now available for download from Bandcamp in 3 formats – a free lower quality mp3, high quality FLAC / mp3 (name your price) or high quality download with a limited edition booklet featuring paintings & lyrics ($10)
Billing itself as “a hybrid soundscape of rhythm, synthesis, live instrumentation and location recordings“, its fairly unique in being recorded and produced in Phnom Penh and hopefully heralds the beginning of a true, underground electronic movement in the city and the whole of Cambodia.
Triptych consists of 3 parts, arranged thematically.
Part one “captures the slow-moving heat of Phnom Penh“.
Gently jangling guitars a la Vini Reilly are juxtaposed with ambient noise (fans? clinking glasses? the whirl of cyclo wheels?) to conjure up an aural soundscape of Phnom Penh.
On top of this, Scott Bywater’s gentle, wry yet passionate words float over the top in a way that reminded me of Harold Budd’s By the Dawn’s Early Light or even, perversely, of Jim Morrison on his posthumous An American Prayer
Underneath the evocations of the Phnom Penh twilight world of watching the river turn incandescent from a balcony, modulating synths and textures reach an understated epiphany.
Part two “propulsively celebrates the art of travel“.
I found part 2 more intense with treated guitars shimmering and snaking thru the sequenced rhythms to reach a crescendo of percussive synchronicity. I was reminded of Pete Namlook‘s Travelling without Moving – however Triptych has a unique style and atmosphere of it’s own.
Scott Bywater‘s words never overpower the music but are beautifully mixed and balanced like a half heard conversation from the balcony on the floor below
night still / air heavy with heat / domestic muttering / television sounds drift through gaps / floating on pockets of distant passing laughter and chirps from / children resisting sleep / the splutter of a moto fades into the night fabric / someone’s telephone rings / and tap tap tapping comes the soup
Part three “drifts through an examination of the art of living“.
In part 3, the sofltly chiming guitars combines beautifully again with the lyrical poetry to evoke the spirit of works like Ry Cooder‘s soundtrack for Wim Wenders‘ Paris, Texas. Again, a gentle melancholy infuses the mood – combined with a sense of purpose and direction that is crystallised in the final words:
getting sea legs, getting shipshape, and steering for the horizon / with faith in the wind and the water / traveling lighter every day
In keeping with label Invisible Agent’s ethos of mixing art and music, a beautifully presented booklet (limited edition of 150) has been issued to accompany the album.
Here you’ll find text of the spoken word pieces alongside paintings by Khmer artist Chhan Dina alongside Adrianna Snochowska that were created as as a direct effect of listening to early rehearsals of the piece
In conclusion, Triptych offers a perfect evocation of Phnom Penh and our sometimes transitory existence within the “Charming City”. I hope to see more projects like this in the coming months as the creative scene in Cambodia grows and coalesces…
More details from http://washcollaboration.bandcamp.com/album/triptych